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Are you familiar with the common cynical commentary to contemporary art that goes, “I could have made this!”? The remark implies laziness and oversimplification, often misleadingly assigned to certain art forms, as they are juxtaposed with more elaborate and, what some people believe to be, ‘more skilled’ art. A famous response to this critique is “… But you didn’t”, with which I wholeheartedly agree.
However, this latest W Magazine Best Performances photoshoot is either incredibly meta, or truly anyone (or a lot of people) could have made it. Or both.
The photoshoot depicts Hollywood celebrities, rookies, and members of the elite alike in a minimalist setting of a driveway. It is quite mysterious, really. A majority of photographs appear to be taken on the same street, in-between tightly parked cars (some of which do not even have their license plates blurred). Others appear to be in different locations, like this picture of trophy husband, George Clooney that someone might have taken while he was cleaning up after his children in the backyard. Or this picture of beautiful Michelle Pfeiffer in a random parking lot, as if she was actually caught on her way from one photo shoot to another.
Did I mention that the photographer for the issue is Jurgen Teller? Now you know.
Naturally, Hollywood Twitter has been having a wonderful two days since the photographs have been released.
They really said “meet me by the tree outside the office. I’ll be the one with the iPhone.” pic.twitter.com/B8Kcv1B7k4
— Nichole ?? (@tnwhiskeywoman) February 24, 2021
Riz Ahmed is out here commending Jurgen for the quickest photoshoot in his career, but I feel that the man just might appreciate the efficiency over the aesthetics. I respect that. It’s the awards season, and he has been pretty busy.
This @wmag shoot was the fastest of my life. 20 seconds, two clicks. Juergen Teller is the OG. https://t.co/LlGyzQbyms pic.twitter.com/Mk41oxBVJn
— Riz Ahmed (@rizwanahmed) February 24, 2021
But I do have to say that Riz has already managed to take, in my humble opinion, a better picture of himself in a driveway years ago, which I may or may not have been using as my Twitter header for years.
Sometimes your car says more about you than your face pic.twitter.com/tBQji0sMgx
— Riz Ahmed (@rizwanahmed) October 4, 2016
Could this be a take on how difficult it has been to stage photoshoots during the pandemic?
W said, “ok we are doing something that’s a little outside the box here…well, just outside” pic.twitter.com/uMsmUZHacR
— Liz Jenkins (@ej11lizzie) February 25, 2021
Or is it more about how the streets have become this exotic and wild place since we all should stay inside and social distance?
I’ve never met Steven Yeun and yet I know this is the worst thing to ever happen to Steven Yeun pic.twitter.com/7agBrjxeHf
— crowdfunded lobotomy (at home) (@lydiaohh) February 25, 2021
Or, and I and my mediocre knowledge of photography are just guessing here; this might be an example of how far your white male privilege can get you in the art business.
That W Magazine photographer is actually an evil genius. Imagine taking Windows XP photos of celebrities and getting paid TOP DOLLAR! pic.twitter.com/RuipZgJDYK
— Clarkisha Kent (@IWriteAllDay_) February 24, 2021
Anyway, we are not here to divulge into the eternal debates of art and the artist. It is also, apparently, not the first time when this style was chosen for the Best Performances issue.
Please don’t forget that the brief for W magazine’s annual Best Pefrormances issue has always been “get there and humiliate them” pic.twitter.com/Dpj9QPaT5n
— Kyle Buchanan (@kylebuchanan) February 25, 2021
I will leave you with my favorite tweet that has come out from all of this, in which life imitates art.
Ecru Man photographed by Juergen Teller for W Magazine pic.twitter.com/3gWhgyouQi
— Clarkisha Kent (@IWriteAllDay_) February 25, 2021
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